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Realism Basic AB.pdf
Art history’s most important movements and genresArt imitates life in the work of the realists. Through painting, photography, and sculpture, 20th century realists invoke reality in works that capture what Freud called the uncanny—the inexplicable strangeness of something which seems at once real and not real.
Featured artists include: Arman, Francis Bacon, Balthus, Max Beckmann, Robert Bechtle, Karl Blossfeldt, Isaac Israilewitch Brodsky, Cagnaccio di San Pietro, Vija Celmins, Chuck Close, Alexander Dejneka, Otto Dix, Walker Evans, Eric Fischl, Lucian Freud, Leon Golub, Duane Hanson, Edward Hopper, Frida Kahlo, Georgia O`Keeffe, Tamara Lempicka, Wolfgang Mattheuer, Giorgio Morandi, Ron Mueck, Felix Nussbaum, Gordon Parks, Philip Pearlstein, Anton Räderscheidt, Gerhard Richter, Diego Rivera, Christian Schad, Charles Sheeler, Ben Shahn, Daniel Spoerri, and Werner Tübke
About the Series:
Each book in TASCHEN’s Basic Genre Series features:
– a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
– a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations
About the author:
Kerstin Stremmel studied art history and German literature in Cologne and Bonn and received her doctorate in 2000. She lives in Cologne, working as a freelance writer for, among others, the Neue Zürcher Zeitung. She currently holds a post as visiting lecturer at the Hochschule für Gestaltung und Kunst in Zurich.
The most basic assumptions of realism reflect an inherent pessimism in the school of thought. 2.
aware that care was needed with the NMA and sometimes restricted their claims to mature theories so that we discount ab initio some theories on ...
The realism and antirealism debate is very complex and, as with most philosophy, there is a vast grey area. For example, I have never been to Australia, but I am sure that it exists.